The State, the Museum and the Ethnographer in Constructing National Heritage: Defining Estonian National Costumes in the 1930s

  • Marleen Nõmmela Estonian National Museum

Abstract

In this article I attempt to analyse the way in which the Estonian national costume, as heritage, was defined through the cooperation of the state, the museum and ethnographers in the 1930s. The nationalist state wished to strengthen the national identity of Estonia. The Estonian National Museum (ENM) as a repository of memory and knowledge availed its resources to support cultural propaganda. The ethnographer Helmi Kurrik, a woman of strong will and keen interest in folk textiles, managed to fulfil her obligation at the expense of her own health. The primary result of her labours was a handbook entitled Eesti rahvarõivad (Estonian Folk Costumes) (1938) which has influenced general knowledge of folk costumes in Estonia up to the present day – the ‘right’ national costumes are believed to derive from authentic ethnographical folk costumes held in the Estonian National Museum.
Published
2011-03-18
How to Cite
NÕMMELA, Marleen. The State, the Museum and the Ethnographer in Constructing National Heritage: Defining Estonian National Costumes in the 1930s. Journal of Ethnology and Folkloristics, [S.l.], v. 4, n. 1, p. 49-61, mar. 2011. ISSN 2228-0987. Available at: <http://www.jef.ee/index.php/journal/article/view/5>. Date accessed: 11 apr. 2021.

Keywords

heritage; knowledge production; national costumes; Estonian ethnology